Kolkata’s weekends are getting a hands-on update. At a recent block printing workshop we attended, organized by Localist a at TRI, it was clear that these sessions are drawing in a growing crowd, from artists and professionals to curious first-timers, all looking to slow down and make something of their own. What begins as a one-day activity is increasingly spilling into homes, with many participants continuing the craft long after the workshop ends.
pics Rasbehari Das
From workshop to weekend ritual “This is such a wonderful initiative… to bring us closer to our everyday art and artisans,” says artist Suchanda Banerjee. “When you create with your own hands… you can actually feel the effort behind it. It builds a connection… It’s important to respect every piece of art we come across every day.” That connection is what’s making people return, not just to workshops, but to the craft itself. “It was definitely a fun activity to do on a Saturday afternoon with a friend. I do look forward to engaging with more such workshops!” says Kriti Shah. For many, the experience doesn’t stop there. A sixth-generation Chippa artist, who was recently in the city conducting workshops, notes how Kolkata’s audience stands out. He shares that participants are not just engaging during sessions but continuing beyond, often reaching out later to source colors and wooden blocks so they can start printing at home. The shift is visible, from tote bags to home décor, participants are experimenting independently, turning a casual workshop into a creative routine.
Our workshops are rooted in traditional art forms led by generational artisans, keeping the process entirely hands-on, and what’s exciting is the audience, from locals to travelers and first-timers, all seeking a deeper, more meaningful connection with art.
– Urvi Singhania, Founder, Localist
Why the city is blocking printing “There is a renewed interest in block printing… because of the simplicity of creating one’s own prints, as opposed to machine-made ones,” says Shailja Rungta of Art Rickshaw, adding, “using blocks on fabric requires concentrated attention… it has a therapeutic effect.” Participants echo the pull. “I was drawn to how tactile it is, you’re literally working with your hands… it’s quite grounding,” says Rishika Das Roy. “Actually doing it makes you realize how much time, alignment, and skill it takes… you start valuing the irregularities instead of seeing them as flaws.” Urvi Singhania, sums up the larger appeal: “the best way to truly connect… is through its locals.” For Rivu Bhattacharya, co-founder of Idiot Alien, curiosity is driving the surge: “People were equally curious about how the work was made… that led to workshops,” he says, noting many are “looking for a mindful, hands-on creative pause.” The format keeps it open, “once participants let go of the idea of perfection, they become more confident”, and often extends beyond: “Many… begin printing their own clothing, home décor… others explore it as a small creative venture.” “There has been a noticeable move toward hands-on, tactile experiences… people are seeking slower, more mindful ways to engage creatively,” he adds, moving “from passive consumers to active creators.”Try this at home – Block printing essentials
- Wooden blocks: Available online, at handicraft melas, and Burrabazar
- Colours: “We primarily use acrylic-based paints… mix with a small amount of fabric softener”
- Fabric: Cotton works best – tote bags, scarves, dupattas
- DIY blocks: “Participants create their own stamps using epoxy resin clay”
- Surface: Flat, cushioned base for even prints
I attended the workshop with my daughter, and what made it special was the sense of community, creating with like-minded people. As a wedding designer, I’m naturally drawn to art, design and block prints.
Natasha Suri, participant
